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What equipment is the best to illuminate a press room or audiovisual studio?

Whether it is lighting a press room or a photo and video studio, lighting plays a fundamental role among the technical requirements. Whatever the space, the light must be stable and uniform for camera operators to do a good job, and at Stonex we distribute the perfect equipment to achieve optimal performance, graphic effects and energy consumption.

light up a press room with the best ETC equipment.

There are many audiovisual creation spaces that need professional lighting that provides quality to the projects developed in their rooms. For these types of studio applications, ETC They offer great coverage and durability thanks to their 10-year LED chip warranty and 5-year warranty on the body of the luminaire.

Are designed to cover the spectrum of needs that a closed and multipurpose space may require and also ensuring low energy consumption and air conditioning due to its ultra-efficient LED module. In this article we have gathered the equipment that cannot be missing in your press room or audiovisual studio.

The best equipment to light a press room or studio

Among the ETC devices, the third generation of cutouts stands out Source Four LED Series 3 which is currently the star product of ETC. with the matrix Luster X8 you will discover the depth and richness of the color nuances, but also offers the option of intense white light with the matrix daylight HDR.

In addition, with the XDLT lenses It allows maximum brightness from any distance and its reduced light leakage has almost zero chromatic aberration. These are in summary the strengths of the Source Four LED Series 3:

  • Better efficiency with a wide chromaticity: 14.214 Lumens maximum, 42 lumens per watt;
  • 8-color system for the best color rendering on the market (includes Deep Red LED, for skin tones only possible with incandescent lamp projectors);
  • 300w power, enough for long distance applications;
  • Incorporates City Theatrical wireless DMX system (up to a maximum of 10 universes);
  • NFC sensor for quick setup even without power;
  • Extensive system of accessories and lenses without equal in the market;
  • CRI Ra 95, TLCI 98 in color temperatures from 1.900ºK to 10.450ºK;
  • Ultra quiet (you can control the fan speed by DMX);
  • Reliability with a 10-year warranty on the LED chip and 5 years on the rest of the focus.
Source Four LED Series 3 from ETC.

Another of ETC's essentials is the Desire Fresnel to bathe the scene in any color at full zoom along which the light is brightest. Provides more lumens regardless of angle while being 25% more efficient than traditional Fresnel optics. These are its key features:

  • Better efficiency with a wide chromaticity: 54 lumens per watt;
  • 8-color system for the best color reproduction on the market (includes the DEEP RED Led, to achieve skin tones only previously possible with incandescent lamp projectors);
  • Opening from 13º to 55º;
  • Their Visors clip as we would expect them to on a Fresnel (something not so common in many other Fresnels on the market);
  • Incorporates City Theatrical wireless DMX system (up to a maximum of 10 universes);
  • NFC sensor for quick setup even without power;
  • Ultra quiet (you can control the fan speed by DMX);
  • Reliability with a 10-year warranty on the LED chip and 5 years on the rest of the focus.
Desire Fresnel of ETC.
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